The Moth Diaries is a whole lot of eerie atmosphere and latent lesbian urges between these girl school mates, and a lot of potentially cool but ultimately unsatisfying events.
Oh, how the horror genre needs a lift right now. We’re in one of those places in the cycle where fresh ideas are a rare commodity. We’ve exhausted the torture porn style of the Saws, Hostels, etc. Now it’s time for something new. And who best to do such a thing? Why, Joss Whedon and Drew Goddard, that’s who.
Casa de mi Padre is a mess. I think I love it. The further away I get from the first viewing, the more sure I am. Oh, I will be buying it.
If you never been to Comic-Con in San Diego, this two hour journey through the four day event doesn’t even come close to the OVERWHELMING feeling of being there. If you have been, it touches on some of the moments you may have had, and really points out how deeply personal Comic-Con can be for each and every person that attends.
The Hunger Games is an odd title for a movie in which the main character is never hungry. The name doesn’t refer to someone’s appetite, but if you’re a fan of the book, you remember that characters from the poorer districts tended to be hungry fairly frequently. If you’re not familiar with the book or the story, it takes place in a futuristic North America that has been divided into twelve districts. Each year the districts send two volunteers, one boy and one girl between age 12 and 18, to the capitol to compete in “The Hunger Games.”
I want to raid a building full of criminals and fight them with guns and knives. I mean who wouldn’t? I want to have an elite special forces team go on a floor-by-floor ass kicking parade that ends with a bloody stack of bodies. And I want it with amazing martial artists and camera work. Well, looks like The Raid answered my prayers, the newest film from Indonesia and director Gareth Huw Evans.
I said it before with the film Martha Marcy May Marlene, and I’ll reiterate it here; Elizabeth Olsen is chock full of talent and is going to be one of those truly great actresses. Silent House is a very competent, creepy horror film, and she is a big reason for that. But it’s two of the other actors that hold this back from being great.
I love the Yakuza. I mean, who doesn’t? Tattoos and guns combined with complex hierarchy makes for a grand time at the talkies. Beat Takashi is such a solid filmmaker and actor that I will see anything he does. Unless he stars in the Japanese version of Dark Knight where Justin Beiber plays Robin, then maybe I would pass. But put him as a mid-level gangster trying to slug out an existence in modern Tokyo and I am ready to go.
There is one thing I dislike more than baseball, and that is watching a baseball movie. However, Moneyball is ultimately watchable because it combines that game with APPLIED MATHEMATICS!! Hooray.