Never has a movie so closely resembled the relationship I have with Comedy Film Nerds very own Graham Elwood. One time, he was the vibrant Geoffery Rush to my stammering Colin Firth when I, for some reason, was hired by the Travel Channel to host a 7 hour live Ghost Hunt on Halloween Night at a defunct mental asylum in Weston West Virginia.
The Company Men is about the story of rich people getting fired, and how they find their way among poor people. An oversimplification? Yes, and that’s pretty much the movie’s greatest weakness.
This film certainly gives “be afraid of the dark” considerably new meaning, and there are certainly some very creepy moments to be found here. The tone and the cinematography are great, and the music just helps to set the shadowy, tension-y tone. “Tension-y”? Yeah, I just made that up. No, really. You won’t find that in any dictionary.
Here’s a dilemma for ya: How do you tell Ron Howard that he no longer has any clue when it comes to comedy? Sometimes I forget how many great movies he made 25 years ago. Yes, THAT long ago.
What do you get when you put a group of competent actors in a film with a script that clearly should have been written 30 years ago? You get The Rite, or shall I call it, the Movie That Would Have Been Good Before The Exorcist. I mean, hey, there are some good people in this, but it’s pretty obvious that the fact that Anthony Hopkins stars here is why the movie got made at all.
There’s one thing in particular to remember about action movies like this one: don’t expect any Oscar noms. And know what you’re getting into before you buy your ticket. Ok, that’s two things. But remember them, because if you go in with some kind of delusions of grandeur, then you’ll come out disappointed for sure.
Well, granted this didn’t come out in January, but we’re reviewing now anyway. It’s clear this isn’t a January release because it doesn’t suck. It’s way better than anything you’ll likely see until at least Spring. Winter’s Bone, despite it’s name, came out back in the summer. We’re just here to confuse you all.
You would think a movie like The Social Network is made for a person just like me; entrepreneur Chill Pak inventor who has been on the internet so long my first email addy was a series of random numbers generated by my ISP (firstname.lastname@example.org)
Let’s be honest, the movie is alright. It’s not a great movie, it’s not a bad movie. It’s a good movie. It’s better than most. It’s good like a movie should be. I’ll even grant that it is great. Like, “That was great!” great. Like Frosted Flakes great. Not like, all-time great. Not like Godfather great. Not like award season great.
Within the first ten minutes of the film Wild Target the audience bears witness to a hitman killing an innocent woman. Now, when a movie contains such a scene the reaction it would typically be after is a gasp of shock and/or horror. Not Wild Target. In this movie before the opening credits had finished rolling the darkly comedic tone had been set so precisely that the scene elicited laughter from everyone in the theater. Which is exactly why I freaking love this movie.