When you think about a film that centers around a lonely writer that falls in love with a sophisticated computer operating system, you probably think how silly that idea sounds. But if you think about it in todays current social media context and the way that smart phones have infiltrated our lives, it may not be as absurd as you imagine.
You get a lot of movie for your 16 bucks with The Wolf of Wall Street, but you’d have a better time if you got less movie. It’s two hours and 59 minutes, which sounds like director Martin Scorcese said to Paramount, “You don’t want a three hour movie? I haven’t given you a three hour movie!”
Oh my god!! This is the WORST Christmas movie ever! For one, it’s not about Christmas, it’s about slavery. Which, in retrospect, I should have gathered from the title. Seriously, though. This is the most brutal, hard-to-watch, eye-opening film of the year. Every single person ever should watch. I loved it, in that way that you love a movie and hope to never, ever, ever see it again.
In my life, I’ve seen very few films multiple times. I don’t believe in it. I feel life is short, just move on. But I saw this movie twice in one week. That’s a good review.
You know, I love the whole sci-fi genre. One of my favorites. And, despite the current over-saturation of zombie oriented fare, I’m a fan of zombies, too. Well, of course The Walking Dead is fine. Of all the zombie stuff going on, that is still great. But we could do with a break otherwise. Unfortunately, The Last Days On Mars, despite a fine cast and production value, is little more than Zombies On Mars.
If your favourite Coen Bros. flick is The Big Lebowski, True Grit or No Country For Old Men, there’s no guarantee that the new one, Inside Llewyn Davis, is going to be up your alley. But if you thought A Serious Man was funny as shit (it was), pissed yourself at O Brother Where Art Thou?, and basically had a haemorrhage the first time you saw Raising Arizona, you’ll love Davis, which is really funny while also bringing the Art.
Amy Adams is hot. If you don’t believe me see American Hustle. In fact, see it anyway. See it no matter what. It’s awesome.
Birth of the Living Dead is a documentary about the making of one of my favorite films; Night of the Living Dead. It contains a treasure trove of trivia about how George A. Romero, NOTLD’s director and screenwriter, added the zombie to the classic monster roster with the help of a rag-tag group of investors and first-time actors and filmmakers. But unlike Frankenstein’s Monster, Dracula, and The Wolfman, zombies were added as a whole, as a collective. Forty-five years after NOTLD’s release, zombies are more popular than ever, which makes me a very happy man.
The “Catching Fire” in this case is about the fire that is civil discontent brewing in the 12 districts that will soon be the revolution. But also it is the fire that makes me slowly warm up to this franchise. I hated the first one so much that I walked into this with dread and left mildly surprised… How about that? I say that they did something right.
I had a strange sense of connection to Cold Turkey. Not that my family had dysfuntional holidays like the one we see here, but I think, if we had as many out-spoken members as the Turner family, we might have had similarly tumultuous Thanksgivings.