Ep 380 – Atomic Blonde – Graham and Chris
*FILMS DISCUSSED: AN INCONVENIENT SEQUEL, ATOMIC BLONDE, THE BIG SICK, READY PLAYER ONE, SUBURBICON* Chris and Graham talk to producer Aaron Brungardt about this weeks films. Graham was inspired by Inconvenient Sequel. Chris found Atomic Blonde a little uneven but overall good. The Big Sick is a really good film in Graham’s eyes. Ready Player One trailer looks like Spielberg is in rare form. Suburbicon trailer has everyone a little cautious. One good DVD and then two different films in theaters this weekend. This episode is like a loyal boyfriend or girlfriend.
Hey look, another week has passed, and more crazy news has happened. Ain’t that a kick in the head? And I just found out from Variety online that Bruce Willis is going to star in a Death Wish remake! Negotiations to direct are the Israeli team that made Big Bad Wolves in 2013, Aharon Keshales…
DetailsSundance Best Director Winner Robert Eggers’ carefully modulated, highly original 1630s-set “New-England Folktale” is precisely that, and the Friday night gore-cravers and retro-slasher freaks should look elsewhere for their bloody thrills. If not, ten minutes of authentic (literally taken from journals of the period) 1630s Puritan parlance will quickly convince them they’ve picked the wrong…
DetailsLászló Nemes’ Oscar-winning Son of Saul is as experimental as mainstream narrative cinema gets, and as bold. Set in Auschwitz in 1944 during the planning of a prisoner uprising, the film – and, very specifically here, the camera – follows Saul (Géza Röhrig), a Hungarian Jewish prisoner and Sonderkommando, as he tries to do one…
DetailsThe Coen Brothers’ 1950s-set Hollywood Studio comedy is an endlessly, effortlessly entertaining flight of fancy. If they only created it to delight themselves – which is how it possibly comes off – I have no beef with that. Structured as the day in the life of the fictional Capitol Studios’ Head of Physical Production Eddie…
DetailsI have not been looking forward to this for quite some time. The Weinstein Company’s inexplicable campaign to marginalize Asian action films, and minimize its effect on American cinema, has been going on for decades now (http://dailygrindhouse.com/thewire/dg-op-ed-ric-meyers-history-disrespect-weinstein-company-kung-fu/). Even as far as two years ago I spoke to several crew members of what has become known…
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