The Way, Way Back... is way way awesome!
Groundbreaking? Not exactly, but there’s a reason that certain stories are well-trodden: Because we want to see them again and again. Meatballs is one of my favorite movies. Vintage Bill Murray from 1979. The Way, Way Back is basically the same story: Awkward boy, who nobody appreciates, comes-of-age one summer when he meets the coolest guy in the world, who inexplicably sees something great in him, and brings it out.
DetailsIf you dont know who I’m talking about then sit back and get schooled. Though I suspect many of our readers here know that the King of the Monsters is Godzilla, or Gojira (pronounced “Godjeeda, the ‘j’ much like a soft ‘d’ sound. Listen closely during the scenes in which throngs of Japanese citizens are running hysterically away from the mayhem, you’ll hear it.)
DetailsRock & roll movies are my focus, but I made an exception for The Conjuring because the only thing that rivaled rock & roll for my earliest affections was horror films. I was just as likely to be found reading Famous Monsters Of Filmland magazine as Hit Parader. And I loved the rockers who recognized a market at that particular intersection–Screamin’ Jay Hawkins, and later Alice Cooper and KISS. I was delighted to get a “two-for-one.”
DetailsAnother Comic-Con has come and gone, and every year I’m amazed when people that I know would love it, tell me they’ve never gone. If you’re one of these people, I suggest you stop listening to your agoraphobic, pseudo hipster, nerd poser, fun impaired excuse for a friend and make the trek. Comic-Con is a blast, especially if you’re attending for the first time, and it should be on every self-respecting fanboy or fangirl’s bucket list. Granted, having a successful Comic-Con adventure can be a bit of an undertaking, so here are some answers to the most common “Con”questions I’ve heard over the years.
DetailsThis is what Comic-Con has begat. This scenario: Some producer with a three picture deal with some studio rushes down to San Diego one summer in a panic, trolling the booths, looking for a “hot property” to license to get all these dressed up nerds into a movie theatre. Over there, in the Dark Horse booth, is one that is about a police department made up of dead cops who have to come back to earth to capture escaped dead people, or dead-o’s as they are called. “Awesome, I’ll take it!” says the producer. Armed with a stack of these newly found comic books, he slams them down on the desk Monday morning in the L.A. production office. “This is the movie we’re making, and the good news is, it’s already storyboarded!!”
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